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Thomas of Oxford’s Jessi window at Winchester College epitomises the skill and craftsmanship of the medieval glazier. The variety of artistic production during the middle ages has remained an inspiration to subsequent periods of art. This panel depicting the ordination of the first Christian Saint, Stephen, is carved on reused elephant ivory during the Carolingian period in the late 9th century, probably at Metz. It once formed part of a casket with stories of the life of the saint. The Wessex Jewel is an Anglo-Saxon gold and rock crystal aestel (manuscript-pointer) was made at almost the same time as the great jewel of King Alfred, and is one of only four such objects in the world to have survived from 9th century England. The technical achievements of artists during the Renaissance led to a new found confidence in the individual’s ability to conquer artistic problems. Raphael’s drawing is a study for an apostle in his final masterpiece, the Transfiguration.
Egon Schiele was introduced to the Wiener Werkstätte by Gustav Klimt. His haunting portraits and contorted drawings were greatly admired by the artists of the Vienna Secession. This tender image of Marie-Thérèse Gaillard of 1894 is executed in pastel. The sitter was the daughter of a friend and patron of the painter who also acquired works by Renoir, Cicely, and Degas among others. Modigliani’s Nu Couché epitomises his style which he constructed from primitive and modern sources creating an abstraction which went to the very essence of his subject. Nu Couché sold for over $26million at Christie’s New York in 2003. Painted at the same time as the Orangerie friezes, Monet escaped even the restraints of Impressionism to reach a unity with his subject that is intoxicating and is the culmination of his career. Le bassin aux nymphéas sold for over $40million at Christie’s London in 2008.
Experiencing the Venice Biennale is unlike experiencing any other contemporary art exhibition in the world. Courtesy John Slyce.   Site specific works such as Pawel Althamer’s Untitled, 2003, mixed media, dimensions variable are experienced on field trips throughout Europe and the UK. Installation view: Courtesy Neugerriemschneider, Berlin. The Modern and Contemporary Art programme shifts emphasis each year to take in the latest contemporary shows such as the decennial Sculpture Project at Münster. Pawel Althamer, Path (Sciezka), 2007. Courtesy Münster Sculpture Project.
The materials and methods of production and the creative forces behind the style and design of furniture help us to understand how the maker and designer transcended his craft to produce lasting works of fine art. Adele Bloch-Bauer was one of Gustave Klimt's most important patrons, and, it has been suggested, one of the artist's secret lovers. Dressed in a loose-fitting, Wiener Werkstatte gown, she is the first in a series of paintings of women set against decorative backgrounds in the manner of Japanese bjin-e executed after 1912. The modern boulevards of Baron Haussman on a sleety autumn day were the inspiration for Béraud’s realistic depictions of modern Parisian life. The maiolica technique was used in the Renaissance to promote classical historical scenes inspired by the new humanism, and made fashionable by the court at Urbino.
Ceramics hold a special place in the Arts of China. Chinese art is both the oldest and the newest art in the world. An integral part of the Arts of China course is the two week field study which takes in Hong Kong, Beijing and Taipei. Object handling lies at the heart of all Chrisite’s Education courses.
The appreciation of traditional folk art and the creative expression of contemporary self-taught artists has only recently become an academic discipline. This decoy duck is an exceptional and rare red-breasted merganser hen, one of only six known to have been made by Lothrop Holmes (1821-1899). His shorebird species include yellowlegs, black-bellied plover, with the rarest being only two known examples of the ruddy turnstone. The duck sold for over $850,000 at Christie’s New York, in 2007. A carved and gilded pine spread-wing eagle, 19th century, carved in the half-round with spread wings grasping the shield of the United States with arrows and a laurel wreath. A pieced wool Amish crib quilt, Indiana, late 19th-early 20th century, worked in the Log Cabin pattern in various pink, blue, purple, brown, black, cream, grey, and crimson wools with teal sashing, Joseph's Coat border and black bound edge, with sawtooth and channel quilting.

歡迎來到佳士得美術學院

佳士得美術學院在專業藝術教育領域享負盛名。學院提供的藝術史與藝術界實務、藝術史與藝術市場等特有課程，將藝術經營技巧融入於各個科目，為您打開藝術事業的大門，從事拍賣行不同範疇的工作，又或於創意產業及公共部門開展藝術相關業務。

由藝術界專家、學者、業界人士組成的國際團隊，匯聚倫敦、紐約、香港三地，致力為藝術圈培育與啟迪新一代專業人才。學員受惠於佳士得拍賣行的全力支援，倫敦及紐約佳士得美術學院之全職課程亦讓學員探索當地的博物館與藝廊資源，尤其著重於至歐洲、美國、中國等地之特別考察團，進行相關研習；香港佳士得美術學院則提供短期導論課程，全方位引領參與者認識藝術世界，身在香港亦可體驗倫敦、紐約佳士得美術學院全面而深入的藝術教育。

倫敦佳士得美術學院：藝術史與藝術界實務

倫敦佳士得美術學院獲英國格拉斯哥大學 (University of Glasgow) 認可，開設一系列碩士及學士學位課程，內容包括中國藝術、歐洲藝術、現代及當代藝術，以及獨有的藝術、風格、設計課程 。

從2011年開始，本學院所有碩士課程都將提供藝術商業一門選修科，讓學員們從倫理及商業層面深入探索藝術界實務。

紐約佳士得美術學院：藝術史與藝術市場

藝術史與藝術市場： 現代及當代藝術碩士課程已於紐約州教育部註冊登記，亦有相同領域的非全職文憑課程可供選修。

倫敦及紐約佳士得美術學院：藝術商業課程

倫敦及紐約佳士得美術學院提供藝術商業組合式單元課程，相同科目亦可於夜間攻讀，供有志於鑽研藝術商業不同層面的藝術專業人士與入門者靈活選擇。學員完成課程後，將獲頒佳士得藝術商業基礎文憑或高等文憑。

香港佳士得美術學院

縱觀全亞洲，佳士得美術學院先於香港提供多個短期入門課程，從歷史與市場角度探索有關藝術及藝術品收藏的不同課題。此兩至三天的課程提供普通話及英語兩種版本，並邀請佳士得以至業界不同藝術範疇的專家客席授課。今年佳士得美術學院與中歐國際工商學院合作推出全新課程「全球藝術市場：藝術品收藏與投資」。欲知詳情，請以電郵education-asia@christies.com查詢。

 

 

 

 

 

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